
A cut that holds
Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing worksAt SERGHEI DANILOV, we edit video and finish photography the way we would want it done for ourselves: careful cuts, honest color, and a delivery date that means something.
Notes in plain sentences, never vague adjectives.
Every project starts from a written brief, agreed before work.
The fixed quote covers everything; nothing is billed later.
Scope, price and date agreed in writing before any work starts.
These three cover nearly every request we receive. Each starts the same way: a written brief and a fixed quote.

Documentaries, commercials, podcasts and creator channels. We shape your footage into a cut with rhythm, then handle sound and clean-up so it holds up anywhere it plays.
How editing works
A look that belongs to your film, not a preset menu. We match scenes, build a palette, and finish in the formats your platform actually accepts.
How color works
Portraits, products and editorial work, cleaned and balanced without that plastic look. Skin stays skin, texture stays texture, and the client stays happy.
How retouching works
SERGHEI DANILOV is a one-person post house, run by SERGHEI DANILOV out of Chișinău, Moldova, working with clients in fourteen countries. Small by choice — because a single careful editor, reachable by email, is usually better than a production line.
We don't chase volume. We take on a handful of projects each month, write everything down, and finish what we start. That's the whole method.
Footage, deadline, goal. We confirm what we need and lock the scope.
Final files, every format you asked for, and clean project folders you can actually navigate.
You send links or files, the deadline and the goal. We reply with the two or three questions that actually change the quote.
Final payment, master files, and every format and caption you asked for.

The editing choices that stretch small productions without expensive pickup shots.
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Saturation, contrast and the screen the client watches on — the finish that survives delivery.
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When to add grain back and how to keep it consistent across the set.
Read the pieceShe treated our raw wedding footage like it mattered. The timeline notes were the clearest I have ever received.
She cut our conference film down to a length that still told the whole story.
Quotes reflect individual client experiences. Results vary by project and are not a guarantee of any outcome.
Tell us what you have and when you need it. The quote arrives within one working day.